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Reviews Jazzwise Magazine, Issue 89 August 2005 Rating: 4 stars (out of 4) Despite the well-established pedigree of the personnel, this album seems out of nowhere: a carefully crafted love letter to the American jazz that flowered so gorgeously in the 70s, written and read by English sensibilities of the here and now. Think various incarnations of Weather Report, think Herbie; but also think South London and Perfect Houseplants, and think the Johns Surman and Marshall. Its some feat to pull this off, both in terms of musicianship and self-conviction, but theres not a dead patch on the CD. Credit Patrick Wood, the projects composer-arranger: he has created the simultaneous loose-tight musical situations that allow his associates to stretch out and reach new heights while keeping them grounded. The album is so dependent on teamwork that its invidious to single out any contributor, but this kind of music is critically dependent on pulse and Nic Frances drumming really floats the boat. The nine tracks come in various shapes and sizes, and the whole things a fresh, passionate delight from start to finish. Brian Glasser (critic and author of the biography of Joe Zawinul; In a Silent Way: A Portrait of Joe Zawinul).
new music from Joe Lovano, a new 70s flavoured U.K. fusion band called the Works; and from two of the guys who undoubtedly influenced them - Joe Zawinul and Wayne Shorter
Oh yeah! Dont you just LOVE well played fusion once
its in your blood youll never get it out! First up it was the maestro
himself Joe Zawinul, and then - did you hear the join? - a new U.K. band
called the Works and the title track from their album Beware
of the Dog: REALLY like that
Jez Nelson (BBC TV and
Radio Presenter, founder of Somethin Else Productions). |
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